PROYECTO INTERACCIONES: Década (2024) [ DSD 64 2.8MHz | FLAC 24-bit 48kHz | WAV 32-bit float 96kHz ]

Cover art: Ailen Cecchi Rosa

Graphic design: Daniel Cabrera (Sobras de Arte)

Background: insspirito

Mixing: Gabriel Dellarosa (*)

Mastering in 32-bit float at 96kHz and 24/48 performed at Casa Rara Analog Mastering Studio by Engineer Conrado Silvela (*) https://masteringestudioanalogicodigitalcasarara.com.ar/

  Except for “Auriculares y Perillas”: Production, mixing, and mastering by Cris UMMI

INTERACCIONES is a collective, self-managed, non-profit artistic project, founded in Argentina in 2014.

Since its inception, it has experienced continuous growth, positioning itself as one of the most relevant collaborative initiatives globally.

The project involves artists from various countries, promoting remote collaboration. Each member contributes their creativity, effort, and commitment, regardless of their background or place of origin.

The collective's shared goal is to create and share art in a free and open way, with a focus on diversity of perspectives and collaboration without barriers.

All generated content is distributed under Creative Commons 4.0 licenses (CC BY-NC-SA 4.0).

https://www.youtube.com/@INTERACCIONES

General Direction: Luis Maldonado
Musical and Sound Art Direction: Gabriel Dellarosa
Art Direction: Fernando Parisi

INTERACCIONES Team:
Luis Maldonado, Gabriel Dellarosa, Esteban Menash, Vika Mora, Van Shake, Sergio Flamminio, Fernando Gabriel Parisi, and Ernesto Romeo.

TRACK LIST

Disco 1:

1 Diciembre 1
GuaM (Juan Ignacio Córdoba): Arturia MicroFreak / Korg MS-20 Mini / Roland SP-404MKII
Matías Dellarosa: Image-Line FL Studio 20
Pablo Gabriel López: Korg Minilogue / Berhinger UMX49 / Propellerhead Reason 3 / Behringer RD-8
Amianto Húmedo (Rodrigo Sánchez): Elektron Digitone / Dave Smith Instruments Pro 2 / Access Virus TI2

2 A la Madre Tierra
Hugo Bogarin: Voz
GuaM (Juan Ignacio Córdoba): Lowrey Festival
Nicolas Kodric: Native Instruments Kontakt 5 / Orange Tree Samples Iconic Bass Jaco / Yamaha Vocaloid 4 / Valhalla ÜberMod 1.0.1, Valhalla Room 1.1 / Soundtoys Radiator / Friederich Hölderlin - Cánticos (Gesänge) / Poesía Hiperión 654, Texto bilingüe, versión española de Jesús Munarriz / Edición de Anacleto Ferrer (2013)
Lup Ahead: Arturia Piano V / Arturia Synclavier V / Intervención en la batería aportada por GuaM (Juan Ignacio Córdoba)
Melina Xilas: Saxo Tenor Yamaha YTS62 / TC Helicon Voicelive
Sebastián Cirillo: Guitarra eléctrica procesada
Gabriel Dellarosa: Arturia Minimoog Mini V

3 La Telaraña de Dylan
Dimas: Arturia Analog Lab 3 / Ableton Live 9.1.1
Francisco Acebal: Casio CZ-5000 / Korg SQ-1
Lizeth Pacco Quispe: Texto y recitado de su poema "La Telaraña de Dylan"
Lup Ahead: Arturia Wurlitzer V
Renzo Cocconi: Loops de cinta con Portastudio Fostex X-28 / Korg Microkorg Mk1 / Korg Volca Keys / Korg X50 / Kawai K1 / DigiTech Bad Monkey Tube Overdrive / DigiTech RP-90 / Fuzz Factory de manufactura propia / Pseudo Ring Modulator y Oscilador de construcción propia (Rezongator), Behringer FX600 / Behringer DR600 / 1986 ProCo RAT / Cockos REAPER 6.3

4 Guitarra de Viento
Laura Zilber: Guitarra acústica
Luis Maldonado: Sonido de cuerdas de guitarra eléctrica estimuadas por el viento / Electro-Harmonix EH-1300 RTG Random Tone Generator
Ariel Raguet: Apple iPad con Mazbox Limited Koala Sampler ejecutando manualmente samples realizados Con Ryouta Kira KQ Dixie
Lup Ahead: Arturia ARP 2600 V3

5 Life Forms
Amanda Chang: Sistema modular con módulos Doepfer. Se emplearon 2 osciladores, 1 filtro LP y Band Pass, y 2 amplificadores. Los controles fueron: 1 envelope, uno controlando un amplificador y el otro de modo inverso, y 2 LFOs (sine y triángulo) controlando la longitud del pulso y el filtro.
Gabi Lucena: Teisco ET-210N / E-Bow / Lapicera Bic / DigiTech WH-5 Whammy V / Electro-Harmonix Pulsar / Evil Drive (Diy Tubescreamer / Rat) / Electro-Harmonix Freeze / Korg Sdd-3000 / DigiTech JamMan Solo XT / Mooer Shimverb / Studio Projects VTB1
Nguyen Hong Giang: U&I Software Metasynth 4

6 Florecimiento
Joel Szenkier: Ableton Live Suite 10 / Arturia Prophet V / Arturia Solina V
Mariano Esain: Rutters Telecaster Thinline / Pignose Legendary 7-100 Portable Amp / Electro-Harmonix Big Muff / Catalinbread Belle Epoch Deluxe / Strymon Flint / JHS Crayon / JHS Pulp ‘N’ Peel / JHS Twin Twelve

7 Diciembre 2 (Ropa de Dormir)
Amianto Húmedo (Rodrigo Sánchez): Elektron Digitone, Dave Smith Instruments Pro 2, Access Virus TI2
Matías Dellarosa: Image-Line FL Studio 20
Lizeth Pacco Quispe: Texto y recitado de su poema "Ropa de Dormir"
Sebastián Saldaño: Behringer FX600 / Korg MS-20 Mini / Ableton Live / Accurate222 (Behringer UCA222 totalmente modificada)
Gabriel Dellarosa: Solcito Música Toum!
Lup Ahead: Roland MC-808

8 Volador
Francisco Nicosia: Eko Dream Box
Gabriel Dellarosa: Solcito Música Toum!
Lup Ahead: Arturia Mini V3
Joel Szenkier: Ableton Live Suite 10 / Arturia Mini V3 / Arturia SEM V2

9 Triptamina Dance
CD HATA: Arturia MatrixBrute
Sebastián Saldaño: Novation Mininova / Yamaha SU10 / Akai S01 / Alesis 3630 / Alesis Nanoverb / Behringer FX600 / Korg MS-20 Mini / Phonic MU 1002 / SoundCraft Spirit Folio Rac Pac

10 Auriculares y Perillas (Cris UMMI Remix) (Primera Escala)
Fernando Morales: Yamaha Motif ES6
Marcos Alemán Bayá: Mutable Instruments Shruthi / Korg Poly-800
Cris UMMI: Producción, mezcla y mastering. Inspirado en “Mezcalito”, obra literaria de Howard. S Thompson

11 Enfrenta el Temor
Ofrendas en Forma de Verso (Agustín Musella): Letra y voz
Pochi: Voz
Átomos de Átomos: Lee de Forest Albert Noise / Lee de Forest Atari Punk "Industria Argentina" / Korg Kaossilator Pro+ / Korg Mini-Kaoss Pad
Diego Psardi: Korg 01/W FD / Roland D-20 / Faim JP-2046 / Yamaha FX-500B
Fernando Gabriel Parisi: Debian Bullseye Gnu+Linux & KXstudio / LMMS 1.2.2 / E-MU Xboard 94 / Korg SP-280 / FalkTX Carla Patchbay / Bigfish Audio West Coast Hip Hop Pak / Soni Musicae The Blanchet 1720 / Gforce Minimonsta: Melohman / Alexander Holm Salamander Grand Piano 3
Antílope Disecado (Iván Consorte): Trompeta Getzen 300 grabada por Dante Scrosoppi con micrófono Rode NT1 y Ableton Live

12 Claustro Ensueño
Gabi Lucena: Teisco ET-210N / E-Bow / Lapicera Bic / DigiTech WH-5 Whammy V / Electro-Harmonix Pulsar / Evil Drive (Diy Tubescreamer / Rat) / Electro-Harmonix Freeze / Korg Sdd-3000 / DigiTech JamMan Solo XT / Mooer Shimverb / Studio Projects VTB1
Renzo Cocconi: Loops de cinta con Portastudio Fostex X-28 / Korg Microkorg Mk1 / Korg Volca Keys / Korg X50 / Kawai K1 / DigiTech Bad Monkey Tube Overdrive / DigiTech RP-90 / Fuzz Factory de manofactura propia / Pseudo Ring Modulator y Oscilador de construcción propia (Rezongator), Behringer FX600 Digital Multi-FX / Behringer DR600 Digital Reverb / 1986 ProCo RAT / Cockos REAPER 6.3
Lup Ahead: Yamaha DX7 / Korg SQ-1


Disco 2:

1 3.15 a.m.
Luciana Aldegani: Grabación de campo de los sonidos generados por las herramientas de Gastón Andreatta en la construcción de un objeto tridimensional / Behringer Crave / Behringer Neutron / Arturia MicroFreak
Átomos de Átomos: Audios de agua / Voces / 2 Mics, ambos con delay: Boss DD-3 / Marshall EH-1 Echohead
Sebastián Saldaño: Phonic MU 1002 / Behringer FX600 / Los sonidos están generados con la técnica de No Input Mixing

2 Scherzo Verona
Alejandro Braver: Warwick Corvette Standard (1999) 5 Cuerdas / dbx 163x
Gabriel Dellarosa: Roland TR-808
Vika Mora: Fender Jazzmaster
Lup Ahead: Roland MC-808 / Electro-Harmonix Canyon / Talonario para uso contable sobre un vidrio
Dimas: Dave Smith Instruments Mopho Desktop / Korg Volca Bass / Arturia Analog Lab 3

3 Andaba la Alcaparra
Diego Psardi: Faim JP-2046 / Golpes sobre las cuerdas y los micrófonos del bajo / Yamaha FX-500B / Boss PS-3
Lup Ahead: Arturia Solina V / Ableton Push 2 / Ableton Live
Marcelo Pijachi: Roland Fantom-X6

4 Interacción Humana
Ernesto Romeo: Buchla Modular System 200e & 200 - Ernesto Romeo_01
mAN wiTHouT nAme: Akai XR20 / Ableton Live 8 / Elemental Audio Systems Neodynium v1.0.3 / Nomad Factory Blue Tubes Image Stereo / u-he MFM2 / Sonic Charge Microtonic / Sonic Charge Synplant / Native Instruments Kontakt / Best Service Ethno World 5 / Native Instruments Molekular / Sonidos extraídos de la conferencia de prensa del Apollo 11
Lup Ahead: Yamaha DX7
Gabriel Dellarosa: Elevenlabs Speech Synthesis

5 Ecos de Otoño (Semana 1)
Leo Sujatovich: Spectrasonics Keyscape
MUTANDIA (Lucila Gómez / Daniel Giménez): Voces / Cort G250 / DigiTech RP70 / Fx viento hecho con la boca / Korg microKorg / Quena procesada con Electro-Harmonix Voice Box / Triángulo

6 Hay Algo
Maxx Wild: Korg Electribe 2 / Korg Minilogue / Korg Volca FM
Johanna Reynoso Escobar: Texto y recitado de su poema "Hay Algo"
Gabriel Dellarosa: Ensoniq EPS 16 Plus
Joel Szenkier: Ableton Live Suite 10 / Arturia Stage-73 V
Ismael Ozon: Arturia Analog Lab 3 & 4

7 The Fall
The Elegant: Native Instruments FM8 / Full Bucket Nabla ∇ / Full Bucket Deputy / Access Virus TI Polar
Alejandro Fernández Lecce: Korg T3 / Yamaha CS-5 / Samples de creación propia
Lup Ahead: Arturia Analog Lab Pro
Maxx Wild: Korg Electribe 2

8 3rd Person
Paul Ellis: Arturia Piano V2 / GForce M-Tron Pro V3 / Nylon string guitar
Armenio Bonin: Ableton Live 11 / discoDSP OB-XD
Ismael Ozon: Clon Minimoog

9 Poesía Aleatoria
Francisco Nicosia: Roland TR-66
GuaM (Juan Ignacio Córdoba): Arturia MicroFreak / Roland SP-404MKII
Djyn (Juan Ignacio Imerito): Korg X50
Gastón El Colo: Gem Pro1 / Korg MS-20 Mini
Gabi Lucena: Fender Precision Bass
MUTANDIA (Lucila Gómez / Daniel Giménez): Korg Microkorg / Korg Kross

10 Lounge-Fashioned (Segunda Escala)
Fernando Morales: Yamaha MOTIF ES6
Diego Psardi: Faim JP-2046 / Yamaha FX-500B / Korg 01/WFD
Joe Design: Korg X50 / Zoom LiveTrak L-20
Cristobal Ambas: Fender Stratocaster Blacktop Tyler Mod / Peavey Valveking 50 / Zoom H6 (grabado por Luis Maldonado)

11 Deja que Amanezca
Proyecto Return (Fernando Lachari): Ableton Live 10
Augusto César Paladino: Ableton Live 10
Gabriel Dellarosa: 360 Systems Professional MIDI Bass / Arturia Keystep / Arturia Jup-8 V / Poema titulado "Segundo poema" de Arseni Tarkovsky, extraído de la película "El espejo" (Zérkalo - Зеркало) de 1975, por Andréi Tarkovsky

12 Ecos de Otoño (Semana 2)
MUTANDIA (Lucila Gómez / Daniel Giménez): Bolsa de nylon / Hojas A4 procesadas
Dimas: Arturia Analog Lab 3
Diego Psardi: FAIM JP-2046 / Yamaha FX-500B
Marcelo Acosta: Guitarlele / Ukelele / Cavaquinho


Disco 3:

1 Colibrí
"Dedicado a mi hermana Nadia, mi preciosa dama azul, que a veces me visita en forma de mariposa o de colibrí... Era la más bella. Nos encontraremos en la cima, donde me esperan en el cielo." Hernan Marine
Hernan Marine: Letra / Voces / Epiphone WildKat / Vox Valvetronix VT50 / Guitarra OLP MM1 modificada / Mesa Boogie F-50 / Rupert Neve Designs 511 (grabado por Alejandro Braver en Cuarzo Estudio)
Alejandro Braver: Bajo OLP MM3 / Casio CTK-1000 / dbx 163x / samples de Roland TR-808
Marcelo Pijachi: Roland Fantom-X6
Gabriel Dellarosa: Native Instruments Kontak 7

2 Ecos de Otoño (Semana 3)
Sebastián Saldaño : Akai S01 / Arturia MicroBrute / Korg Monotron DELAY / Roland MC-303 Groovebox
Diego Psardi: Faim JP-2046 / Yamaha FX-500B
Federico Fernández: Arturia Keystep / Dave Smith Instruments Sequential Prophet-6 Desktop / Ableton Live 9.5 / Alicia Keys piano / Ableton Live Grand Piano Modular: Bastl Knit Rider, Mannequins Just Friends, Intellijel Shifty, Boomstar Quadnic, Bastl Cinnamon, Befaco Hex Mix VCA, Erica Synths Pico Trigger Intervención del audio enviado por Sebastián Saldaño
Alejandro Braver: Fender Jazz Bass Fretless MIM 97 / Rupert Neve Designs 511 Portico series / dbx 163x
Armenio Bonin: Ableton live 11
Gonzalo García Muñoz: Bandondeón AA
Gabriel Dellarosa: Roland TR-808

3 Borrando
Francisco Acebal: Casio MT-400V
Alejandro Braver: Waldorf Blofeld / ART DPS II
Franco Doglioli: Letra y Voz
Joel Szenkier: Ableton Live Suite 10 / Korg MS20 mini / Kurzweil K2000 / Boss DD-7 Digital Delay / Moog Moogerfooger MF-102 Ring Modulator
Fernando Gabriel Parisi: Debian Bullseye Gnu+Linux + KXStudio / Ardour 6.9.0 (After Bach) / rncbc (aka Rui Nuno Capela) drumkv1 0.9.12 / Calf Studio Gear: Tape Simulator; Equalizer 8 / Arturia BeatStep / Samples de Lipps, Inc.: Designer Music (Vinilo LP)
Gabriel Dellarosa: 360 Systems Professional MIDI Bass360 / Roland Cloud JV-1080 / M-Audio Venom / Roland JX-3P

4 Toujours
Paul Ellis: Behringer Odyssey / Dreadbox NYX / Rob Papen Predator 2 / Behringer K-2 / AIR Music Technology Boom
José Maradei: Roland Cloud TR-808 / Yamaha MODX 8

5 4 Bits Cúbicos
Jeremy Flagelo: Nintendo Game Boy DMG Pro mod DIY / LSDJ tracker / Joe Meek VC3 Pro Channel / Universal Audio UAD UA 610
Diego Psardi: Faim JP-2046 / Yamaha FX-500B
Nico Cro: Clavia Nord Drum 2 / Behringer Neutron / Bombo Legüero / Parche de Tambor / Bandeja Metálica / Cadenita / Hi-Hat
Leandro Donatini: Ableton Live 10 / Novation Launchkey 25 / Native Instruments Reaktor 6 / Nektar Bolt Harmonics Synthesizer / Glascow Sunrise / Plugin Boutique Carbon Electra / Propellerhead Software Europa Synthesizer / u-he Zebra2 / JST Bus Glue BG-Drums / D16 Group Sigmund / IK Multimedia Lurssen Mastering Console
Lup Ahead: Arturia B-3 V

6 Soy Siempre un Nuevo Ser
Fernando Morales: Yamaha Motif ES6
Ofrendas en Forma de Verso (Agustín Musella): Letra y voz
Luciano Pezz: Toontrack Superior Drummer V3.2.8 / Toontrack EZDrummer 2 Modern ‘80s
Diego Palma: Korg Kronos
Ismael Ozon: Waves Element 2
Gabriel Dellarosa: Arturia SQ80 V / Arturia MiniFreak V

7 Post Data
Nicolás Guerrieri: Batería Gretsch Renown Maple / Arturia ARP2600 / Xfer Serum
SpaceJunk (Robert Hilstrom): Korg M1 software / Prophet 6
Diego Psardi: Roland D-20 / Korg 01/WFD

8 Astroliner
Miguel Rausch: Ableton Live 10 / Ovni Drum / FabFilter Volcano 2 / Waves Codex / Rob Papen SubBoomBass / Soniccouture Konkrete Breaks Bipolar
Hernan Marine: Vast Dynamics Vaporizer2
Maxx Wild: Arturia MicroFreak / Korg Electribe 2 / Korg NTS-1

9 Mai Tai
Dante Scrosoppi & Mora Russo: Image-Line FL Studio 20 / Arturia DX7 V
Maxx Wild: Korg Minilogue / Korg NTS-1
Javier Loppez: Akai MPC One / Ensoniq ASR-10 / Apple Logic Pro X
Ismael Ozon: Vengeance-Sound VPS Avenger Synthesizer 1.4
Gabriel Dellarosa: Roland JX-3P / Rob Papen Quad / u-he Repro-1

10 Una Sensación (Tercera Escala)
Fernando Morales: Yamaha MOTIF ES6
Daniel Perez Ibarburen: Letra y Voz
Joel Szenkier: Ableton Live Suite 10 / Arturia SEM II / Arturia DX7 V
Diego Palma: Korg Kronos

11 John Was Trying to Contact Aliens
Proyecto Return (Fernando Lachari): Macbook pro 5,3 / Ableton Live 11.3.3 / Plugin Boutique VirtualCZ 1.3 / Muestras vocales de John S. Shepherd del film "John Was Trying to Contact Aliens" y salutación de J.S. Shepherd a Proyecto Return Radio
John Shepherd: Korg Minilogue / Zoom Studio 1204
Armenio Bonin: Ableton Live 11

12 Tempus Fugit
Olivier Briand: Native Instruments Absynth 4
Sixty8: MacBook Pro 17” I5 / Ableton Live 10.1.9 / Micrófono AKG C3000 (modificado) / Placa de Audio iConnect Audio4+ / Piano y voces de un pianito de juguete / Sample de un sonido de falla eléctrica periódica, en el parlante del ascensor de su casa y sample de apertura de puertas del mismo / Sample de golpes a bidón de agua de 20 litros / Xfer Serum
Lup Ahead: Yamaha CS15 / Roland MC-505 / Boss RC-505 Loop Station / Ableton Live 11


About the Sound of the Album:

"DÉCADA is much more than a triple album; it is a sonic manifesto celebrating 10 years of Interacciones, a deeply collective and collaborative project. The word "collective" evokes the idea of a whole that goes beyond the sum of its parts. It is the confluence of voices, talents, and thoughts that intertwine in a shared sonic fabric, a dialogue without beginning or end, where every action, no matter how discreet, matters. In this sense, collaboration is not just an aesthetic principle, but a responsibility: the balance between the individual and the group, between the particular and the collective, between the autonomy of each piece and the need for a harmonious whole.

This principle is reflected in the album's mix, which is a conscious act of maintaining balance between the sonic complexities of each collaboration. From the simplest interventions to the densest and most elaborate ones, all find their place within a sonic spectrum that is constructed with emotional fluidity. Over these ten years of work in Interacciones, each contribution was not an addition to an object, but an integral part of a mechanism created for each work and each album.

It is precisely in the mastering process where these premises come to life in a profound way. Conrado, from Casa Rara Mastering, fully understood this idea with a unique sensitivity. Instead of simply aiming for clarity and volume, he delved into the soul of the sound of Proyecto Interacciones, understanding that mastering is not just a technical process, but an extension of the very sonic narrative built collectively. This was not about amplifying the obvious or increasing the sonic impact to fit the demands of commercial sound, but about magnifying those small details, those textures that give body to every moment of the album. In Conrado's hands, the music was not only balanced but sculpted.

The most remarkable aspect of the mastering work on DÉCADA is how the illusory space in which the work unfolds was preserved, from its pre-production phase to the final mix. The sonic space-time, that illusion of four dimensions where sounds not only coexist but move and evolve slowly within the flow of the songs, unfolds evenly between expansion and dynamic containment. Compression and volume maximization were not prioritized; instead, the music was allowed to breathe and unfold naturally, with a tonal and timbral balance that is a true auditory pleasure.

Conrado always kept in mind the overall coherence of the sonic-musical narrative I tried to maintain from the earliest stages of each piece that makes up this album. It was as if he had been present throughout these ten years of Interacciones and condensed them into this album. His presence in this edition felt familiar, and we were able to work with the ease of friends who enjoy doing what they love, without losing sight of the detail, complexity, and beauty that reside in the multiplicity of people and sounds coexisting in Proyecto Interacciones."

Gabriel Dellarosa

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